Cinema 2.0: Live Performance Open Reel Ensemble
16/3/2013 (Sat) 6:30pm  |  Main Entrance of Hong Kong Arts Centre  |  40 mins | Free Admission

Wacky musical experiments on a forgotten medium

Ei Wada(Reel、Concept)
Kimitoshi Sato(Reel、DJ)
Takumi Namba(Reel、Violin)
Haruka Yoshida(Reel、Percussion)
Masaru Yoshida(Bass)

Open Reel Ensemble is an inventive musical project from Japan, founded in 2009. The prolific leader Ei Wada with his creative command Kimitoshi Sato, Takumi Namba, Haruka Yoshida and Masaru Yoshida are one of the most interesting musicians at the moment. The creative group of 5 young musicians scratch four reel-to-reel analog tape recorders as seen in the 1970s, creating a vintage-modern roller coaster of beats.

Open Reel Ensemble brings together digital and analog in a way that gives new life to an outmoded machine. Connecting old-school reel-to-reel tape decks to computer controllers, Ei Wada took a few years and a lot of diagrams and experimentations to get his rewired decks to the point where they could be easily manipulated as real-time samplers. He recontextualised and modified them to be played as musical instruments. Sampling voices and sounds on the spot, the Open Reel Ensemble uses multiple tape decks to form a unique performance around a forgotten medium as if a reel-to-reel DJ jamming.

In 2009 the Open Reel Ensemble debuted to immediate acclaim. The group soon found itself invited to perform at venues from art galleries to nightclubs, from Tokyo, their hometown, to Ars Electronica (Linz, Austria), Transmediale (Berlin, Germany), Sonar Festival (Barcelona, Spain) and more. The ensemble also played at TEDxTokyo in 2010, and drew global attention in 2011 when they got the grand prize in the Entertainment Division at the 15th Japan Media Arts Festival. First time in Hong Kong with one show only. Not to be missed!

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8-21/3 / 12noon - 8pm / PAO / Free Admission

Playful Virtuoso in New Media Art

Daito Manabe, one of the best known and most highly regarded new media artists in Japan today. In March 2008, he came to Hong Kong to partner with local music artist Ho Shan@Pixel Toy on a video and sound performance at the 13th ifva Festival. The next year, he was invited to take part in the opening show at the Ars Electronica Festival in Linz, Austria, which received rave reviews and put his name on the world map. Since then, he has become a fixture at various international arts festivals as well as a much sought-after collaborator for world-famous brands. The Nike Music Shoe is among his most famous creations.

Manabe is noted for the many outlandish ideas that he incorporates into his works, which masterfully utilise new media to bring forth new experiences for the audience. For example, his famous Body Hack performances used electric currents to stimulate facial muscles, which gave new meaning to the term “interactive”. Manabe started his career as a hip hop DJ, and later on worked as a designer and a computer systems engineer before concentrating his efforts full-time on new media art creations at present.

With this revisit to Hong Kong, Manabe will showcase his media installations for the first time here with UV Laser Fade Out (2010), which features breathtaking laser projections, as well as Face Tracking (2011/2013), which transforms the art gallery into a visual Facebook.

About the Artist, Daito Manabe

Born in 1976, Manabe graduated from Tokyo Science University, majoring in Mathematics. He also completed the International Academy of Media Arts and Sciences (IAMAS), Dynamic Sensory Programming (DSP) course.

Working across different fields including art, design and research, Manabe has approached and redefined existing media and technologies from their own unique angles. Instead of using technologies to achieve an ever “higher-resolution” illusionistic reality, his works aim at rediscovering the beauty of transient events through careful observations and exploration of the basic properties of body, computer and computer programming.

The 18th ifva Awards
Interactive Media Category Finalist
The seven finalist works utilise mechanical mechanisms, kinetic sound installation and also virtual reality software in an innovative way, so as to explore the wonderful connections between human beings and the world.
8-21/3/2013 12noon - 8pm| Pao Galleries| A discussion session will be held on 16/3 5pm-6pm| Free Admission
(Atypical Installation)
Wong Yu-hin, Lam Chi-fai
Hong Kong
Wearing a surgical mask, what were you doing in March 2003, ten years ago? Wearing the mask again, we step into the space of memory, with keywords floating around, and ponder.
more
Arrivals
Marco De Mutiis、Kenny Wong
Hong Kong
Arrivals is a site specific kinetic installation about memory, using split-flap mechanisms.
more
Bad Trip
Kwan Tsz-wai Alan
Hong Kong
Bad Trip is an immersive interactive installation that enables people to navigate the creator's mind using a game controller.
more
Differential Reality
Kelvin Lee
Hong Kong
Will it change our cognition of reality if we can experience the "past" and "now" at the same time? This work may offer the experience if not the answer through the fabrication space from time.
more
I am Not Playing Violin
Fung Tsun-yin Jasper
Hong Kong
I am Not Playing Violin is a kinetic sound installation, which makes use of violins to compose automatic music. Audience may experience a specific way of listening while it creates a multidimensional visual impact.
more
Present Moment
Chan Woon-ting Naomi
Hong Kong
Present Moment is an interactive installation about subjective time experience. With a simple setting of mirrors, reflections and projections, it creates a tiny little journal for oneself to experience the existing moment consciously.
more
The Telescopes
Wong Fuk-kuen
Hong Kong
The ultra-simple hollow tubes bring us the closest touch and insight to the pure form of the nature. Expressing spacious quality of sound, the sculpture mediates us to a distance and unbounded universe.
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Tamas Waliczky’s Exhibition
Dance with the Interval

14/3/2013 – 3/4/2013 |  10am-8pm (Mon-Fri) |  2pm-6pm (Sat)

Exhibition opening: 13/3/2013 (Wed) |  6:30pm | Goethe-Gallery, Goethe-Institut Hongkong |  Free Admission

In the age when computer usage was still not popular, software companies had not started to develop the computer animation software market, and years before films like Toy Story hit the silver screen, Tamas Waliczky had already started using his Atari computer to embark on “new media” art creations. Growing up in Communist Hungary and living in a closed society, Waliczky saw a window of freedom in art. He began doing animation at the age of nine, yet he had never undergone formal training in the area. His computer theory, technique and even English language were all self-taught. Since delving into computer audio-visual creations in 1983, he had become a well-known figure in new media circles. He was artist-in-residence at the Center for Art and Media Karlsruhe (ZKM) in Germany and the Institute of Advanced Media Arts and Sciences (IAMAS) in Gifu, Japan. He taught in various universities. Not having attended university himself, Waliczky’s first foray into campus life was as a Professor.

In terms of his application of computer technique, definition of computer imagery, usage of space and camera, experimentation with perspectives etc., Waliczky’s works are well ahead of their time in expressing the boundless
possibilities of computer generated visuals and broke much new ground in media art. This pioneer of computer animation will have the first solo-exhibition of his works in Hong Kong, and the artist will be on hand to act as a museum guide. There will also be screenings and seminar associated with this event.

 

"Dance with the Interval" is Tamas Waliczky’s first solo exhibition in Hong Kong. The exhibition will be the world premiere of Waliczky’s two new installations: Wheels (2013) and Homes (2012). Next to these installations visitors can watch a retrospective with the artist’s earlier works, from 1986 till 2007.

Tamas Waliczky’s works won numerous international awards, including the Golden Nica of Prix Ars Electronica Linz, was shown in several festivals and exhibitions worldwide, like Imagina and Siggraph festivals, the Lyon Biennale, the ICC Gallery Tokyo, the Multimediale Karlsruhe, the Photo’98 England, the Seville Biennale, and are in the permanent collection of different museums, like the Pompidou Center Paris, the Oppenheimer Collection Bonn, the Australian Centre for the Moving Image Melbourne and the Ludwig Museum Budapest.

Co-presented by
Artist-led Guided Tour: 16/3 (Sat)  |  17/3 (Sun)  |  23/3 (Sat)  3pm

COMPUTER MOBILES (HUMAN MOTIONS) 1986-1988

WATERBIRD
Computer-mobile, 1986
CRYING WOMAN
Computer-mobile, 1986
CENTRAL SHUTTER
Computer-mobile, 1987
LOVE TRIANGLE
Computer-mobile, 1987
EYE
Computer-mobile, 1987
WHEEL
Computer-mobile, 1988
PICTURES
Computer-animation, 1988
IS THERE ANY ROOM FOR ME HERE?
Computer-animation, 1988
MACHINES
3D computer-generated still pictures, 1990
THE GARDEN – 21ST CENTURY AMATEUR FILM
Computer-animation, installation 1992, 1996
THE FOREST
Computer-animation, installation, 1993
THE WAY
Computer-animation, installation, 1994
LANDSCAPE
Computer-animation, 1996
SCULPTURES (TIME-SPACE)
Computer-animation, installation, 1997, 2001
FOCUS
Interactive installation, 1998
THE FISHERMAN AND HIS WIFE
Computer animation, 2000
AQUARELLE 2000
Interactive installation, 2000
BALANCE
Computer-mobile, 1988

ANIMATIONS FOR THE INTERNET, 2001-2004

ANSICHTSKARTE – PSEUDO PERSPECTIVE STUDY
Interactive internet-animation, 2001
AMPHORA – NUDE STUDY
Interactive internet-animation, 2002
COLOR STUDY
Interactive internet-animation, 2002
ANNAMARIA’S MOTION IN TIME
Interactive internet-animation, 2002
ANIMATION NUMBER 7
Interactive internet-animation, 2002
WHEELS
Computer calculated real-time installation, 2013
SELF-PORTRAIT
Interactive internet-animation, 2005
MARIONETTES
Computer animation, installation, 2006, 2007
HOMES
Interactive installation, 2012